Students and professors joined Trio Solisti on the stage of the PAC Concert Hall.
By Kurt Gottschalk
There was a tremor in Philip Lauto’s voice as he addressed the members of Trio Solisti. Lauto, a senior in the Department of Music, had been through a couple of composition workshops before as a part of his course work, but that didn’t make telling the visiting professionals how to play his piece any easier.
His Break Through imagined, he said, a melody being suppressed and finally breaking through in the music. At the outset, delicate piano melodies seemed to be blocked by bold, repeated chords in the lower register. The strings then entered with unexpectedly romantic lines. The short piece was steeped in variety.
Lauto was one of three music majors (all completing concentrations in composition) who heard their pieces played by Trio Solisti, who are marking a decade as Adelphi University’s ensemble-in-residence. A handful of fellow students and a couple of professors joined them in two rows of chairs set up on the Westermann Stage of the Performing Arts Center (AUPAC) Concert Hall for the February 18 session. Understandably apprehensive, Lauto told the musicians he wanted to hear more contrast between the sections.
“Overall, to be honest, I’d like it a little bit slower,” he said, “a little more relaxed.”
As they prepared to play the piece again, cellist Alexis Pia Gerlach told Lauto he could interrupt them with instructions if he wanted.
Lauto laughed nervously. “Oh, OK.”
The young composer pronounced the second run-through “literally perfect” and then the ensemble began instructing him, giving him suggestions on how to better mark dynamics, bowing and intonation in the score to get what he’s looking for.
Nerves aside, Lauto was all smiles after the session.
“It’s really incredible,” he said. “We have the playback [from the composition software] we use but nothing compares to live musicians playing it.”
The other two student pieces put some challenges to the trio.
For You, written by junior Michael S. Gayle, was a jazzy, cinematic piece that called on the pianist to improvise in passages. “It doesn’t have to be Herbie Hancock,” Gayle said when Solisti member Adam Neiman explained he wasn’t that sort of pianist.
“I’ve seen you guys several times,” he added. “I thought of you when I wrote this. Not that this is what you really do but I thought, ‘It would be so dope if they could do this.’”
Daniyil Tchibirev’s Trio featured lush instrumental passages occasionally interrupted with dense blocks of prerecorded electronic sound. The unusual piece required a little more work but Tchibirev was happy with the results.
“I think it was true to what I wrote,” said the junior on his first workshop experience. “It was a little surreal to hear it with real instruments rather than a computer.”
Gayle concurred.
“It’s refreshing,” he said. “When we were composing it’s like the sonogram. But this is the birth. You’re actually seeing life.”
This article appeared in the Spring 2015 edition of The Catalyst, the College of Arts and Sciences newsletter.